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MIMESIS

cultural mediation project | 2017

CREDITS

by | Elena Boillat

sound collaboration Federica Furlani

support | DECS Dipartimento dell'educazione, della cultura e dello sport Ticino

e RESO Réseau Danse Suisse

winner project of cultural mediation in dance 2017

Works of art Anna Choi, Lutz & Amp Guggisberg , Georges Mathieu , André Deloar 

​Renaud Loda , Giada Bianchi, Betty Woodman, Matteo Fieni, Sarah Parsons​, Sam Gabai

DATES

September 1-3, 2017 | MACT CACT Contemporary Art Museum Ticino Bellinzona​

April 15, 2018 | Museo MASI in collaboration with LAC Lugano Arte e Cultura​

May 5-6, 2018 | Istituto Architettura I2a Lugano

July 28, 2019 | Art Museum Mendrisio/Festival TID​

October 21, 2018 | Ghisla Museum Locarno​

March 21-30, 2019 | Ariana Museum Ginevra​

May 2-3, 2019 | Arsenic Losanna​

May 4, 2019 Schule für Kunst und Design Zurigo​​

May 5, 2019 | Espace Shilling Neuchâtel

December 16, 2023 | La Regionale in collaboration with LAC Lugano Arte e Cultura Villa Ciani Lugano​

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​The project questions the union between observation, relationship and emotion, the mechanisms underlying the perceptive vision of a work of art and how these influence the condition of the body placed in front of it.

MIMESIS was born as a dance mediation project, winner of the call promoted by DECS and Reso rete danza svizzera in 2017, created specifically for museums and exhibition spaces, using the works of art of the same hosting spaces and addressing a targeted audience, such as that of visitors.

In an intimate and isolated place of the museum, accessible to only one spectator at a time, each person is guided by the artist's voice to explore with their own body the sensations that arise in relation to a work of art.

The project can be hosted and set up not only in museums but also in theaters and cultural spaces, also using works by local artists.

MIMESIS is an empathic act between two people: the artist and the spectator, to create a shared experience that can be enjoyed wherever there is a work of art that can be looked at, becoming itself the object of mediation.

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